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The Noteworthy 'Others' of the Grace Era

trundler

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Grace was a revolutionary, once in an age cricketer. No one since has had the same impact on the game. As a result, Grace towers over his contemporaries in a way that has only been matched by Bradman since, and arguably not even him to the same extent. So who were the unfortunate players who may have been remembered more fondly had it not been for WG taking the cricketing world by storm? For the purpose of this discussion the let's consider the late 1860s to the period preceding the Golden Era as the Grace Era.
 

AndrewB

International Vice-Captain
George Freeman was reckoned by most to be the best bowler early in Grace's career (he played most of his cricket in 1867-71).

James Southerton was another leading bowler around 1865-1875 (first to take 200 wickets in a season), but is now mainly remembered for playing in the first Test match aged 49.

Richard Daft was second in the batting averages behind Grace several times.
 

ankitj

Hall of Fame Member
Roughly how many % of bowlers during Grace's days would have been underarm bowlers?
 

fredfertang

Cricket Web: All-Time Legend
Roughly how many % of bowlers during Grace's days would have been underarm bowlers?
There weren't many by the 1870s - for example in 1871 when WG was 23 there were a total of 52 First Class matches, and eight underarm bowlers took 70 wickets between them (EM Grace had 24 of them)
 

trundler

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There weren't many by the 1870s - for example in 1871 when WG was 23 there were a total of 52 First Class matches, and eight underarm bowlers took 70 wickets between them (EM Grace had 24 of them)
That's when Grace scored over half the centuries scored (10/17) and averaged almost double the next best @79. Unreal.
 

Starfighter

Cricket Web: All-Time Legend
Tom Emmett started in the mid 1860's and bowled fast left arm roundarm and had a slower ball that cut from the right handers' leg to off. Seems a lot like a left handed Malinga. The ball had a wonderful name too, the 'sosteneuter'. Surely that term needs to be revived. Interestingly when slower delivers are obviously vitally important in T20s these looking back at the era before the second new ball, more consistent pitches and swing and seam really took over a lot of bowlers seem to have had a nice bag of tricks that you'd think would serve them well in the shortest format.

If we look up to the late 1870s I reckon that Bates, W Barnes, Ulyett and Steel especially deserve to have a place amongst great English allrounders.

As well as Southerton there was of course Alfred Shaw, that doyen slow-medium bowlers who conceded fewer runs that he bowled overs. Also came up with the idea of painted rather than scored/cut creases, a definite improvement in the game

You really don't find too many standout batsmen though, especially early in Grace's career. Walter Read managed a fine average of 32 with a great peak in the mid-late 1880s including 336 which was the second highest FC score at the time and two consecutive double centuries.
 

a massive zebra

International Captain
Interestingly, when Grace came onto the scene in the early 1860s, Cambridgeshire had one of the best county sides in England. They didn't really have much depth, but their leading batsmen Bob Carpenter and Tom Hayward, and their leading bowler George Tarrant were among the best cricketers in the country. Here are mini biographies of their leading batsmen, taken from H.S. Altham's book A History of Cricket:

Bob Carpenter

He was pre-eminently a back player, but he combined with his strength of defence great quickness of foot and driving power. He was at his very best against slow bowling, which he would punish unmercifully; in fact, he always liked to "nurse" a slow bowler in order to make the most out of him. There was no harder driver in England in the sixties. He would come down the wicket and hit "like a horse kicking," while he also favoured the genuine leg-hit, though in this respect he resembled the Hon. C.G. Lyttleton rather than Daft, and tended to lift the ball. He, like Hayward, twice exceeded the century against the Gentlemen, but at The Oval, and not Lord's. Carpenter was probably the most famous of all the members of the United Eleven, and made many runs in their great matches with the A.E.E. For a time he acted as a coach at Marlborough College, and within one generation no school can have enjoyed the services of two greater players than Carpenter and Stephenson.

Tom Hayward

No one, in Daft's opinion, with the exception of Arthur Shrewsbury, rose to such heights of batsmanship from such slender physical resources as did Hayward. He was rather below medium height and very spare of frame, weighing little more than 9 stone when he first began to play in big matches; added to this, he was never blessed with good health, or with the good temperament that so often goes along with it. He looked, indeed, but a frail figure as he stood at the wicket, holding the bat very lightly in his hands and at the end of its handle, and yet in all England there was no more graceful or masterly batsman, with the possible exception of Dick Daft himself. Hayward was essentially a forward player, with something of the pendulum correctness of swing that Pilch possessed. He was a beautiful off-driver, but his real forte was his on-side play, and especially his ability to force the ball off the leg-stump and his legs, between mid-on and short-leg, a stroke which his nephew played to perfection, and surely must have inherited. In spite of his natural disadvantages, Hayward was at his very best of fiery wickets, when his ability to keep down the rising ball was most marked. One weak point in his armour must be mentioned - he was a deplorable judge of a run. Like the younger Tom, he was a more than useful medium paced bowler, and an excellent field at cover. His long scores are innumerable. In 1859 he scored 220, playing as a given man for the Gentlemen of Cambridgeshire against the University, and twice he obtained a century for the Players against the Gentlemen at Lord's, an example which his nephew was to follow at an interval of thirty years.

And here is a mini biography of the other leading batsman of the time, Nottinghamshire's Richard Daft, taken from the same source:

To say that he was the greatest of all Notts batsmen would be to challenge criticism (for has not W.G. himself nominated Shrewsbury as his first choice from all the world ?), and it may be maintained that William Gunn equalled him in point of style, but to his contemporaries at least Daft stood alone as a model of grace and commanding execution. His was essentially what Mr. Cardus would call "the grand manner" in batting; there was none of that grubbing about the blockhole, which Pycroft so deplored; he stood up to his full height at the crease, and was the beau-ideal of that "upright and manly style" of play which the early "Lillywhites" always urged upon young cricketers. He was quick on his feet and always ready to drive; he made full use of his wrists, and he was a master of the under-leg stroke of which W.L. Murdoch was perhaps the last regular exponent; but the greatest feature of Daft's batting was his masterly treatment of the quick-rising ball on fast and for the most part fiery wickets. In his time he had to play many very great fast bowlers, and he was at his very best against them. Caffyn relates how Edgar Willsher once said to him: "When Richard plays that ball (a good length one on the off stump), I always feel as if he said, 'If that's all you can do, Ned, you'd better put somebody else on at once.' " As an offset to this evidence we may notice Pycroft's verdict that there was never a man so contemptuous of a shooter as Daft!

In 1862, on an impossible wicket at Lord's, he played an innings of 118 for the North v. South which was literally the talk of the season, four hours with not the ghost of a chance under conditions that the modern batsman would denounce if met with on the village green. Within two years of his first appearance in big cricket, Bell's Life could write of quite a modest innings: "Those who have witnessed Daft play an innings know that it is cricket, consequently we cannot say more than that it was obtained in his usual style."


Here is a mini biography of the aforementioned George Tarrant, taken from Simon Rae's book W.G. Grace: A Life:

George Tarrant, by contrast, was a surprisingly small man, but made up for his lack of stature by bowling with such ferocity that he earned the title ‘Tear ‘em Tarrant’. He was also a noted pugilist and George Parr’s minder. (On one occasion Parr swung the first blow in a fight then calmly called up Tarrant to finish the business.) Tarrant bowled round the wicket, and his approach to the crease was electrifying: ‘He was all over the place like a flash of lightening, never sparing himself, and frightening timid batsmen. He was the terror of twenty-twos when he played for the All-England Eleven, some of his long hops bounding over their heads, causing them to change colour and funk at the next straight one.’

For all his speed and hostility, Tarrant's Nottinghamshire peer John Jackson was generally considered to be a better bowler as he had greater control, more variety and more cunning. Here is a mini biography of Jackson taken from Altham's book:

1855 saw the first appearance in county cricket of John Jackson, by common agreement one of the greatest fast bowlers that ever lived. On the evidence of figures alone, his title to fame is unassailable. In the seven years, 1856-62, he captured 1,899 wickets, with an average bag of 345 for three consecutive seasons. From his earliest years, when, as a small boy, he used to run barefoot after hounds and throw stones at every legitimate and illegitimate mark, Jackson was big, strong, and active, and by the time he appeared for Notts he stood over 6 feet high and weighed 15 stone. His action was a true round-arm, and though he bowled like a machine, always well within himself, his pace was truly terrific, and like that of the best of his school, he made the ball go slightly with his arm. On the fiery wickets then prevalent, especially at Lord's, he was altogether intimidating, and not a few of the best batsmen of the time were known to retire precipitately towards square-leg. He never liked being hit, and when things looked troublesome was apt to try an extra fast full pitch somewhere in the neighbourhood of the batsman's head! To the twenty-twos he was literally a terror, and once for the A.E.E. against Twenty-Two of Uppingham he bowled six men in seven balls. Against Sixteen of Oxford University he captured, in 1858, 16 wickets for 62, and, in 1862, 17 wickets for 63. The feet in which he took most pride himself was when for the North he got 9 Southern wickets and lamed - sic visum superis - Johnny Wisden so that he couldn't bat. "Old Jack" was a great character; from his habit of blowing his nose violently whenever he got a wicket he was called "The Foghorn" by his colleagues, but with the world at large he soon earned the name of "The Demon," and well, we may believe, deserved it. Until the Champion became as much of a household word as G.O.M., Jackson, alone of cricketers, had appeared in the pages of Mr. Punch.

It is sad to read of his last years, when, but for the help of the Cricketers' Fund Friendly Society and the kindly aid of friends in the North, Jackson must indeed have known positive destitution. Even as things were the contrast with the days of his strength and fame must have been bitter enough. In 1861 the greatest bowler in the world; in 1901 a pauper, wellnigh unknown, dying in the infirmary of a Liverpool workhouse.


When Jackson's career was coming to a close, George Freeman of Yorkshire took over the title of best fast bowler in England. In the 1890s, A.W. Pullin interviewed a number of old cricketers from Grace's early years for his books Talks with Old Yorkshire Cricketers and Talks with Old English Cricketers. Every interviewee considered Freeman to have been the best fast bowler they had ever seen. Freeman holds the best first class bowling average of any bowler with (virtually) complete career statistics, 284 wickets at an average of 9.84, strike rate of 35.47 and economy rate of 1.66. He also took four more wickets in match(es) where full bowling analysis were not kept. Here is a mini biography of Freeman, taken from Altham's book:

George Freeman virtually played only five years in the County Eleven, retiring after the end of the 1871 season to take up a lucrative business, but in that short time he won for himself the unquestioned title of the best fast bowler in England; indeed, W.G., with all his fifty years experience, states unequivocally that he was the best he ever played. If figures go for anything, his are surely convincing enough: in those years he played in but 26 county matches, but captured in them 194 wickets for under 10 each. In pace he was not quite of the extreme school, but his accuracy and deadly off-break were unrivalled for a bowler that could not be termed even fast medium. It is delicious to read his own statement that he always preferred bowling on The Oval because there the wicket was perfect and he could regulate his breaks, while the rougher grounds were apt to upset his calculations. But for his habitual modesty Freeman would have been one of only three players to appear both for the Amateurs and Professionals in the great match at Lord's, for more than ten years after his retirement from county cricket he was asked to represent the Gentlemen, but declined on the grounds that his form hardly justified the compliment.
 
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a massive zebra

International Captain
When W.G. Grace emerged in the 1860s:

1. Pitch preparation was in its infancy, and the quality of pitches was, by modern standards, horrific. Batsmen regularly had to put up with balls shooting along the ground or bouncing alarmingly from a good length. If I remember correctly, it was not unusual to receive three shooters in one over and then to have the next delivery sailing over your head.
2. Overarm bowling was only legalised in 1864 (the year of Grace's first class debut) and roundarm bowling continued to be more commonly used for the next couple of decades.
3. Swing bowling was non existent. It would first be effectively used by Bart King and George Hirst around the turn of the century.
4. Googlies and doosras were yet to be discovered. The googly was discovered by Bernard Bosanquet around 1900 and the doosra was discovered by Sonny Ramadhin in the 1950s before being "lost" and then rediscovered by Saqlain Mushtaq in the 1990s.
5. Lob bowling was a respected art form. Some lob bowers even represented England, the last being George Simpson-Hayward as late as 1910.
6. Most fast bowlers span the ball.
7. Footwork was looked down upon.
8. Some shots we take for granted were yet to be invented. For example, the leg glance was invented by Ranjitsinhji in the 1890s. Hook shots were very rare. The reverse sweep did not exist.
9. Hitting a full toss was considered "bad manners" and smashing a long hop was considered "immoral". Grace changed all this by unifying the elements of batting, playing forward and back, playing the bat parrallel with the front pad, smashing all balls that deserved the treatment etc.
10. Many grounds did not have boundaries and all runs were actually run out. If the ball was hit out of the ground, the fielders would have to go and find it and the batsmen could continue running until the ball was retrieved or the fielders declared "lost ball". It was possible to score more than six runs of a single delivery and a hit for three runs was more common than a hit for four. As a result, batting was more physically demanding than in modern times and long innings required great physical stamina. Boundaries became more common over the course of the 1860s and by the end of the 1870s almost all grounds had boundaries.
11. Even after the introduction of boundaries, batsmen had to hit the ball out of the ground to score a six. Hits merely over the boundary were worth just four runs until 1910.
 
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